Black Panther: A Nation Under Our Feet Vol. 1 by Ta-Nehisi Coates, & al., is narratively deep and visually impressive. There’s social, political, and economic allegorical levels to the story, which are welcome complexity to the overall genre. The inter-, intra-, and extra-, relationships that T’Challa must navigate and learn from are well developed and interesting to see explored. The art style is a nifty syncretic of many influences, both pan-african and including the futurism of Jack Kirby’s technological schematic visual lexicon.
This first collection starts out a little slow as it tries to deal with a bunch of previous narrative threads, but quickly picks up and builds a good foundation on which the following volumes can continue to construct. On the other hand, the apparently slow start also did give me a quick primer on the Black Panther series, which I am not familiar with, as this is the first I’ve read of any of them. These previous events are also the collective source of the current state of unrest and turmoil that is core to the developing story for both individuals and the collective groups involved. In that sense, I’ve just completely talked myself out of this being a problem and into it being a strength.
The last part of this volume includes a reprint of the very first appearance of Black Panther, in the pages of Fantastic Four, which is a nice bonus, and provides interesting comparison and parallax to the current artwork and writing, as well as being a bit of history to include.
Originally posted on my personal blog at A Nation Under Our Feet Vol 1