The Infinity Gauntlet by Jim Starlin, Ron Lim, and George Pérez is pretty understandably epic in scale. I don’t know how the upcoming Avengers movie can get to this story without more setup than we’ve seen so far. But, who knows? I’ve heard rumours that they might not start with this story right away, which means I started in the wrong place. Oops.
It really seems like a huge story arc designed to launch Adam Warlock into an eternal hall of fame at the expense of the entire Marvel universe. Jim Starlin’s Adam Warlock. Jim Starlin the writer of this story. Nothing suspicious here at all, nope.
The cosmic elements are the best. There’s panels with Doctor Strange, Adam Warlock, Celestials and Eternals that knock it out of the park with delicious cosmic visuals. There’s some mind bending bit here to love.
There’s also a cameo of a Trump property getting natural disastered that gave me mean chuckle.
But really, it’s Doctor Strange who gets some of the best visuals.
The framing story is that Thanos is desperate for Lady Death’s love. It’s kind of pathetic, and perhaps a funny commentary on desperate but unrequited nerd ideas of “love”. The framing story seems stuck on repeat for most of the series, until the story catches up to where Thanos is at; then the story gets stuck on repeat as the writing plays the same sequence of heroes trying to defeat Thanos while Silver Surfer or someone doubts Adam Warlock over and over for a while.
But there’s some great “who’s it” with the Infinity Gauntlet including a couple steals and a fumble to liven things up.
As stuck as it may seem repeating in places within this collected volume, it isn’t anything I’ve read before elsewhere. It’s new, but repeats within itself a bit, is what I’m saying. But, it’s good, and, where it does internally new stuff, it does it really well. There’s tons of visuals and moments that struck me, and which I hope to see on the big screen eventually as a bonus.
In the end everyone returns to where they were, except Thanos and Adam Warlock, who both, sort of, escape the cycle of statis, ironically by getting stuck in a different, or maybe the same, from a certain point of view, cycle of stasis.
I’m certainly curious about the rest of the Infinity Gem Saga, but that’s a lot of material. I hope it stays fresh across the whole sequence of 6 collections. It’s a bit daunting and I feel like I got a good complete story in this collection alone, so I’m not super hype about the rest, to be honest. In that sense, this volume is a nice complete thing in itself without feeling left tricked into needing to read anything else.
Originally posted on my personal blog at The Infinity Gauntlet
Runaways, Vol. 1: Pride and Joy by Brian K Vaughan and Adrian Alphona is a story of six friends that stumble upon a shocking super-powered secret about their parents, and discover their own secrets in response to their parents as they become a team in spite of themselves. They become their heroic selves and find they have meaningful purpose for being in the world. The art and writing are not complex, but, even still, a lot happens in these first 8 issues in the collection. Also, the promise and premise provides ideas that are complex, and offer a depth for those looking for it. I hope the rest of the series develops those potentials further and eventually reveals itself to be narratively as superpowered as the heroes.
A live action adaptation of Marvel’s Runaways, once planned to join the cinema releases, is now scheduled as coming to Hulu in November 2017, and it will be interesting to see how it turns out.
Originally posted on my personal blog at Pride and Joy
I’ll be honest. I picked up Mockingbird Vol. 1: I Can Explain by Chelsea Cain, & al., because I saw the kerfuffle about the cover for the second volume, and grabbed both to support the series. It then languished in my to-read stack for a long time, but I got around to this and devoured it in one sitting.
This is freakin’ hilarious, and smart. The arc in this collection has a modern storyline with a cool narrative structure. It reminded me of Archer and Deadpool in various ways. The dialogue is witty and sharp, there’s tons of easter eggs in the panels to find, and fun cameos, not the least of which is Howard the Duck! And, it’s a female protagonist who’s the smartest person in the room, in charge, and unapologetic about any of that.
Great stuff I definitely recommend.
Originally posted on my personal blog at I Can Explain
Black Panther: A Nation Under Our Feet Vol. 1 by Ta-Nehisi Coates, & al., is narratively deep and visually impressive. There’s social, political, and economic allegorical levels to the story, which are welcome complexity to the overall genre. The inter-, intra-, and extra-, relationships that T’Challa must navigate and learn from are well developed and interesting to see explored. The art style is a nifty syncretic of many influences, both pan-african and including the futurism of Jack Kirby’s technological schematic visual lexicon.
This first collection starts out a little slow as it tries to deal with a bunch of previous narrative threads, but quickly picks up and builds a good foundation on which the following volumes can continue to construct. On the other hand, the apparently slow start also did give me a quick primer on the Black Panther series, which I am not familiar with, as this is the first I’ve read of any of them. These previous events are also the collective source of the current state of unrest and turmoil that is core to the developing story for both individuals and the collective groups involved. In that sense, I’ve just completely talked myself out of this being a problem and into it being a strength.
The last part of this volume includes a reprint of the very first appearance of Black Panther, in the pages of Fantastic Four, which is a nice bonus, and provides interesting comparison and parallax to the current artwork and writing, as well as being a bit of history to include.
Originally posted on my personal blog at A Nation Under Our Feet Vol 1